Vivien Leigh, Kim Hunter, & Marlon Brando in A Streetcar Named Desire (1951, dir. Elia Kazan)
Interviewer: “I thought in the beginning we’re supposed to be on Brando’s side and against her, and then the tables turn.”
Elia Kazan: “Now this is another place where I did ambivalence. And I’ve been criticized for this a lot. Some people say I made Brando the hero. I didn’t mean to make Brando the hero. But I wanted to show exactly what [Tennessee] Williams meant, which is that he, as a homosexual, is attracted to the person he thinks is going to destroy him – the attraction you have for someone who’s on the other side, supposedly dead against you, but whose violence and force attract you. Now, that’s the essence of ambivalence.”
This is an amazing play.
Not to mention that the phrasing of ‘But I wanted to show exactly what [Tennessee] Williams meant, which is that he, as...



